#THE DIVINE FEMININE PAINTING FREE#

But deep down Adam was not happy: РІР‚вЂњ for he missed Lilith in his own way, and to be quite honest, he kind of found Eve too boring, for she was too pliable, too loving. Eve, he could control and Eve was pliable, soft and yielding, compassionate and therefore more to his bidding. So, he again complained bitterly to God, and so he divorced Lilith and then came Eve. Interestingly Lilith was the True Expression of the Divine Feminine, in her exuberant vibrant and totally empowered form РІР‚вЂњ but Adam could not handle her. He feared losing control more than anything else. She loved to explore, to create, to dance wild and free, and she did not like him to be on top of her when they had union, she also wanted to be on top of him sometimes, and play with him in ways where he felt he was losing CONTROL. She was vibrantly alive, sensuous, feeling, and had a will of her own.

#THE DIVINE FEMININE PAINTING FREE#

Now, Lilith was a free spirit if ever there has been there. So, God created the FEMALE, the Divine Feminine and therefore the first LILITH and then Eve.

So, he, in this state of deep void, disgruntled, goes to the Divine and asks him to remedy that, to create something or someone who would FILL HIM UP, or the VOID INSIDE of Himself. He is in paradise, and has everything God created for him, but he is MISSING SOMETHING! He has a VOID. Go back to the creation story, and there Adam has it all. Something is drastically wrong, and missing. He might control the whole world, all in it, but deep down he feels an immense VOID. Only thing is, when he sits there cushioned, safe and secure in that ivory tower, the hard penis he has constructed for himself, he suddenly is left alone with himself. Yet, there comes the Divine Feminine, and somehow, his ivory towers donРІР‚в„ўt work anymore, and deep down he so yearns to have that deep depth of knowing, that deep feeling within his own structures, for it gets mighty lonely in that cave, in that bastion, with all its defenses, and structures of what he feels makes him the man he is. When he is in control of himself, his feelings, and his own created world of power, he feels safe. No, he thinks he must be that hard, edged, and in control. He invented the corporate world for himself, so that he could build the massive ivory towers, the towering penises/phallus (Skyscrapers) everywhere, as this is his power symbol, penetrative, hard РІР‚вЂњ it is almost like he is ashamed of being bendable, pliable. He loves going into that cave, that ivory tower he has created for himself, when the world gets too much, and he kind of shrinks away from her. He cannot fool her, for all her honing systems are already sensing, what he is trying to hide from her.Р”Р„nd hide from her he does. He has always been fascinated by the very depth of her, the feeling part of her, and her all-knowing which he has to force sometimes, while she just KNOWS. More than this he is confused within the whole structure of love, loving and commitment, and it is almost like he does not quite know what to make of the Divine Feminine, and yet is deeply fascinated by the very depth, the mystery of her. His confusion is mostly within the mind РІР‚вЂњ and then with the heart/mind opening the immense portals of consciousness everywhere, he is in a constant battle between his mind and his heart. In that as much as he tries to regain control, he is losing control faster than he knows what to do with it. Sometimes he feels threatened to the core, for the structures and forms he had set into motion during the time of Avalon, and truly implemented during the time of Atlantis, is suddenly not working anymore. He must now adjust to a new way of life, living, and expression thereof and therefore often is deeply confused of his own role within the change.

As the Divine Feminine has truly returned and is being anchored in, the Divine Masculine is feeling this change to the very core of his being.

The divine feminine painting